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【展览信息】 

潋滟：范勃个展

艺术家 | 范勃
策展人 | 特雷莎•德•阿鲁达
出品人 | 风景
展览总监 | Kenna
展览开始 | 2017.09.14 15:30pm
展览时间 | 2017.09.14-2018.01.08
（逢周一闭馆）
（特别提醒：9月14日为展览开始，展览正式开幕时间另行安排，详情请关注e当代美术馆官方媒体）


Emerging from Shadow：Fan Bo Solo Exhibition

Artist | Fan Bo
Curator | Tereza de Arruda
Producer | Feng Jing
Exhibition Director | Kenna
Opening | 2017.09.14 15:30pm
Public Exhibition | 2017.09.14-2018.01.08
（Note: Theexhibition will begin in September 14th. The formal opening ceremony of theexhibition will be announced late. Please pay attention to the official mediaof the e Museum of Contemporary Art）


【前言】 

特雷莎·德·阿鲁达

范勃是一位跨界艺术家。他以各种适合自己的题材、媒介和文本探求人的内心世界和不同社会角色的置换。知觉是范勃艺术作品的主线。艺术家最初致力于通过描绘日常生活场景中具象的人体来表现人类的命题。作品发展经历了抽象和观念的漫长历程，始终力图表现不可见和不可触及的人类内心世界。在本次展览的作品中，艺术家没有描绘具象的人体，而决意与人体内部世界建立更为密切的关系。他通过介入盲人这个非常敏感的少数群体以及盲文来实现这一过程。对于盲人来说，盲文与口语交流平行地构成这个群体与外部世界沟通的主要方式之一。范勃虽然不懂盲文，却通过他的作品创造了一个复杂的语义体系，带来对这个少数群体的主观微观世界的一种沉浸体验。这些探索成果也充分彰显了结合新媒体资源的逻辑进程带来的创作风格多元化趋势。

在这个背景下，范勃以现象学家的精神建立了两组作品，分别指涉外部体验和内部体验。《寓言》、《考古报告》和《B2》系列用外在视觉影像来表现盲人的个人主观感知世界。而通常来说，盲人很少有机会表达自己所认知的现实世界。《寓言》是一个由一组盲人志愿者参与的互动作品。参与者被要求根据自己对形态、形状、结构和细节的感知来形容一棵树。互动的结果是，每个人都用自己独特的感知方式观察和体验外部世界，对树的样子进行了独特的表达。每个人的反应都是个体化的，以独特的创意和现实观念表达出对一棵看不见但感觉得到的树的个人印象与观点。《考古报告》由哑光拉丝不锈钢和玻璃结构的书架构成主体，充满信息的盲文书置于其上。而盲人接触到这个作品时只会感到置身于一个普通书架前面，而体验不到复杂的空间感。作品《B2》系列则带有玩味意义地利用盲文的凸点，这些凸点是用药丸做的。

《凝视》、《呼吸》、《Blooming》等作品强调了内部体验。《凝视》试图通过高科技医疗仪器捕捉人体信息。范勃利用新媒介向观众传递“看不见的内部世界”的体验。《呼吸》也是一件由10个志愿者（5个盲人和5个正常人）血管造影构成的互动作品。观众得知视频来自盲人和非盲人两组人群时，自然而然地试图辨别每个样本属于哪一群体，而这种反应只是信息不对称社会加之于普通人观念中的俗套乌托邦想象而已。《Blooming》看似一股喷涌的泉水，实际上是严重动脉粥样硬化患者血管动态造影的截图。这件充满动感的作品并未着意展示个体的疾病甚至其所处的环境和生活方式。范勃通过艺术作品清晰地说明了知觉作为一种感觉即是现实存在又非常抽象的特性。他创造了内在感知与外部性的独特连接。

2017年8月于柏林

Tereza de Arruda

Fan Bo is an interdisciplinary artist leading with topics, medias and contexts appropriated to his main interests as the exploration into mind and the subsequent ex- change with different protagonists from the society.Perception dominates his art work. At the beginning the artist dedicated himself to the representation of Human Being in figurative realistic paintings dominated by full body portraits accompanied by attributes of daily life. The artist has decided to develop an intensive relation to the interior of the human being. This process was acquired through Fan Bo`s insertion into the universe of a very sensitive minority, namely blind people and their Braille writing, which is one of their main venues of communication with the external world, parallel to the verbal communication itself. With no knowledge of Braille, Fan Bo nevertheless created a complex semantic body of works as an exercise of immersion in the subjective microcosmos.

The results highlight the plurality of creative style in conjunction with a progression of logic supported by the resources of the new media.
In this scenario Fan Bo develops two bodies of works related to external or internal experiences respectively. “The Fable”, “The Archeological Report” and the “B2” Series give external visibility to the subjective perception of the world by the blind individuum, who are rarely invited to express their own reality. “The Fable” is an interactive work developed by the participation of a group of blind people invited to describe a tree based on their own perception of shape, form, structure and details. Each one delivered a singular response, own signature, own perspective of the unseen but perceived tree in an unique level of creation and notion of reality. “The Archeological Report” is a designed bookshelf made of glass and mirror, where books written in Braille are placed.Here the blind visitor would just have the feeling that he is in front of a conventional bookshelf not experiencing the spatial complexity of the work. The “B2” Series, on the other hand, makes use of the appropriation of the Braille dots in a playful way. The dots are done out of pills!

The internal experience is highlighted by works as “The Gaze”, “The Breathing” and “Blooming”. “Gaze” attempts to capture humans bodies information that is gained by medical instruments of high technology. Using new media Fan Bo transfers to the viewers the experience of the “invisible internal world”. “The Breathing” is also a interactive work composed by blood vessels of 10 individuals (5 blind and 5 normal). The audience, after knowing about the selection of the participators, tries to identify automatically singularities of the two groups, a utopia based on cliches imposed by the uninformed society.“Blooming” is an allusion to a gushing fountain, but in fact the image is a screenshot from a motion image of the blood vessels of a patient with severe atherosclerosis. This vibrant image does not reveal the disease or even the environment and style of life from the individuum.

Fan Bo manifests through his art work the sense of perception, which is present and quite abstract at the same time. He creates an unique conjunction between internal perception and external visuality.

Berlin, August 2017


【e当代美术馆】 

展览地址 | Exhibition Address 
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